@article{Nabil Shaker Abdul Hussein_Ashraf Maneh Farhood_Qasim Kadhum Mohammad_2021, title={DEATH IN THE POETRY OF ABD AL-RAZZAQ ABD AL-WAHID, A POEM "IN THE REHAB OF AL-HUSSEIN AS A MODEL")}, volume={17}, url={https://www.archives.palarch.nl/index.php/jae/article/view/7003}, abstractNote={<p>The poetic and creative world is full of phenomena that impose their presence on the poet at the moment of writing the poem, and the fruit of that creativity does not fall into the poetic course until after they recite the poet’s gaze and his visions, and after the imagination gains new and branching dimensions that resulted from the analysis of these phenomena. Which the poet takes as a goal to fulfill his desire to express his relationship with everything that revolves around him. Therefore, the phenomenon of photography has been of great importance in ancient and modern critical studies alike, and has witnessed a great development and transformation, as it is no longer a rigid perception with limited methods and tools, but rather has become a tool for embodying feeling and thought and a point of contact between the internal and external years based on symbol, myth, imagination, and many modern techniques. In this way, the image became a standard for measuring the poet of the creator.</p>}, number={9}, journal={PalArch’s Journal of Archaeology of Egypt / Egyptology}, author={Nabil Shaker Abdul Hussein and Ashraf Maneh Farhood and Qasim Kadhum Mohammad}, year={2021}, month={Mar.}, pages={10346-10358} }