"FEMINE PROSE" IS A MIRROR OF CONTEMPORARY LITERARY CRITICISM OF UZBEKISTAN.

Abstract

The article is devoted to the issuesof women's prose in contemporary art criticism in Uzbekistan. The article defines actuality and the phenomenon of "women's prose" in modern literary process in Uzbekistan.
Freed from the canons, conventions and stereotypes of socialist realism, abandoning the role of public opinion and educator of human souls, modern literature of independent Uzbekistan, evolving, it turned into a complex, original, multi-level artistic system with its own laws, development trends, the valuable centuries-old experience of national classical literature and new achievements of the world literary process, due to socio-historical, socio-cultural and national factors. It is quite obvious that the functioning of any national literature in the modern world is carried out in active interaction with other literatures. The independence of Uzbekistan has acquired a special significance and relevance of literary insights into the phenomena of modern Uzbek literature, as its status has changed: from one of the subjects of the multi-literary system "Soviet multinational literature", it has become an independent subject in the system"world literature". There was a need to identify its most important, fundamental phenomena and innovations, their national and artistic identity, contribution to the world literature, interaction with other literatures, and place in the system of inter-literary communities. The need to resolve these complex problems is recognized and noted by all Uzbek literary critics