FORMING THE DIRECTORIAL VISION BETWEEN THE DIRECTOR AND THE SCENOGRAPHY DESIGNER

Abstract

The present study tackles the problem of the overlap between the distribution of the roles of
the per formative tasks of the theatrical performance in presenting the directing vision, which
crystallizes the philosophy of the theatrical performance and reveals the aesthetic position of
the director of the show. There is a problem between the performance of the tasks of the
workers in the theatrical performance and their specialization in showing the directing vision
into material existence. The world is heading to the subtle specialization, in which theatrical
art has a share of this procedural development in theatrical display techniques, especially
after the concept of directing has matured and established in the theory of modern theatrical
presentation, which is a conceptual problem in the formation of theatrical presentation
between the directing vision and its implementing tools (scenography), because there is an
overlap between the two concepts. Scenography is the visual presence of the output vision.
The process of separating between the two concepts as two boundaries that do not meet leads
to the distortion of the entire theatrical performance. In order to apply the methodological
classification, the present study is divided into three chapters. Chapter one includes the
methodological framework that includes the research problem, its significance, its objectives,
and the limits. Chapter two is devoted to the theoretical background of the study. It is divided
into four sections. Section one presents the external vision. Section two discusses the concept
of scenography. Section three tackles the overlap of the output vision between the director
and scenography. Section four tackles scenography and plastic values In the theatrical
performance. Chapter three includes the research Procedures, including the research
community, tools, and analysis of the sample. The chapter is concluded with results and
references.