PARADIGM VISUAL SHOW IN CONTEMPORARY SCULPTURAL FORMATION

Abstract

This research deals with the effectiveness of paradigm in contemporary sculptural formation. The first chapter contained the research problem that dealt with the epistemological concept of paradigm through the ages and how it became an important method in the twentieth century and its reflection on contemporary sculptural formation and the problem ended with the following question: - How did the paradigm affect the presentation in the contemporary visual studio work?

The research aimed to the extent of the influence of paradigm on the visual presentation in contemporary sculptural formation, and the research was determined in the time period for the year 2020 in Europe and America. As for the importance of research by monitoring and tracking paradigm in contemporary sculptural formation, the second chapter consists of two studies. The first deals with paradigm in the cognitive concept and how He works in the scientific field according to Thomas Kuhn and the rest of the other specialists. As for the second topic, it dealt with the work of the paradigm in contemporary sculptural formation and the influence of the actor in the formation through the production of artworks by artists of different artistic orientations. From America, the researcher has reached a set of results, the two are:

1- Paradigm is a type of idea formed according to an artistic vision of the artist, with a sculptural plastic work.

2- The paradigm does not stop developing and transforming, as it is always dynamic and dynamic.

3- Making paradigm artworks open to many interpretations.

4- Making paradigm artwork that tends to be simpler in form and presentation.

4- Making paradigm works of art as a standard for transformation and development.

Then comes the conclusions and sources